T.C. Boyle’s Constructed Realities

Descent of ManTC Boyle’s fiction is satiric, surreal, comic, and dark. His first book, Descent of Man, published in 1979, is an eclectic collection of short stories that incorporate elements of popular culture, anthropology, and psychology. Several stories in this collection start as parodies of pop culture narrative tropes borrowed from Hollywood. “The Champ,” for example, borrows its plot from a common Hollywood trope: the prizefighter story. In it, an aging champion is struggling to hang on to his title while facing an up and coming challenger. Instead of boxing, however, the sport is competitive eating. Boyle successfully mimics the style of these stories in what is both a satire and an homage. The Champ himself is identified as “Angelo D.” an obvious reference to Angelo Dundee, Muhammed Ali’s longtime trainer. In the story, Angelo D’s trainer is a gruff crusty taskmaster with a heart of gold that every prizefighter must have. While the premise is absurd, the story lives in a reality that has been created by Hollywood with which the reader is entirely familiar (Rod Serling’s Requiem for a Heavyweight, Sylvester Stallone’s Rocky). The story begins the way most of these stories begin:

Angelo D. was training hard. This challenger, Kid Gullet, would be no pushover. In fact, the Kid hit him right where he lived: he was worried. He’d been champ for thirty-seven years and all that time his records had stood up like Mount Rushmore—and now this Kid was eating him up.

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Prelude To The Battle of Antietam

In 1903, Louis N. Chapin, former lieutenant in the New York 34th Regiment (“The Herkimer Regiment”) published  A Brief History of the Thirty-Forth Regiment, a narrative that documented all the men of that volunteer regiment and their military service, from mustering in in Albany in 1961 to mustering out in June 1863.  Included is a detail account of the 34th’s participation in the Battle of Antietam in September, 1862 in which, out of 311 men, 46 were killed and nearly 100 were wounded.  In the following excerpt, the 34th hikes from Washington, D.C. across the state of Maryland and arrives at Keedysville on the day before the battle, the single bloodiest day in American history.

Louis N. ChapinThis brings us to September 7th. As nobody knew exactly where the rebels were, we really expected a big fight right here, and were in line awaiting it. General Gorman rides along the line, and tells his men they have got to fight ; but the real hard fight is ten days off. At Tenallytown the men received their knapsacks, which had been shipped from Harrison s Landing. Major Beverly, who had been absent for some time, was now with the regiment again, and in command, for Colonel Suiter was on the sick list. This heavy marching, continued for so many days, was about as bad as a battle, judging by the way it worsted the men. Forward we go, up through Maryland ; on the 10th near Clarksburg; on the 11th to Hyattstown. Here a small body of rebel cavalry was dispersed by Kirby s Battery. On the 12th we were at Urbana, and on the 13th at Frederick City; thence to South Mountain where we came in contact with the enemy, but suffered no loss. A fine thing happened at Middletown on the 14th, the day of the South Mountain fight. The men had been marching all day, and were badly whipped, although they had not been in a fight. Toward evening we halted on a beautiful farm. The country around Middletown is very much like western New York: open, with rolling hills and meadows. We expected to remain here for the night; and no sooner had we stacked arms than nine-tenths of the men made a dash for a cornfield a mile away. Green corn in those days was a great luxury; but we had barely reached the field, and began to pluck the ripened ears, when the bugle sounded to fall in, and we had to make a lively return dash. This extra effort, coming on top of the heavy day s march, didn’t rest the men very much ; but we fell in, and never halted again until midnight. We were then on South Mountain, and very softly crept up to a stone wall, believing that the rebels were just on the other side. Not a man was allowed to speak, or hardly breathe. The morning broke, but the rebels were not on the other side of the wall, nor anywhere in sight.

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Surrealism and Sarcasm in Aimee Bender’s Fiction

The Girl in the Flammable SkirtThe stories in Aimee Bender’s first collection of short stories, The Girl in the Flammable Skirt, published in 1998, contain, to varying degrees, surrealism and sarcasm. In her best stories, these are not mere affectations but are pathways to deeper, troubling truths that her female protagonists face. Her stories are not edgy just to be edgy.

In “What You Left In The Ditch,” a woman tries to cope with deforming injury that her husband has brought home from war.

Steven returned from the war without lips.

This is quite a shock, said his wife Mary who had spent the last six months knitting sweaters and avoiding a certain grocery story where a certain young man worked and looked at her in a certain way. I expected lips. Dead or alive, but with lips.

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