A Pernicious Fallacy

Common wisdom, touted by politicians  and pundits on both the left and the right is that the impeachment of Bill Clinton  backfired on the Republicans politically. This had lead to scores of Democratic Representatives and Senators wringing their hands over impeaching President Trump for what are clearly “high crimes and misdemeanors,” fearing that they could lose control of the House of Representatives, and, should the Senate acquit  Trump, the presidency for another four years, in spite of the fact that we are enduring the most corrupt administration in American history.

The basis of their reluctance is a fallacious argument that has somehow endured for the past twenty years. The impeachment of Bill Clinton did not backfire on the Republicans, and, indeed they profited from it. Impeachment was a successful strategy. The so-called backlash in the 1998 midterm elections left both the House and the Senate in control of the Republicans. There were some Republican losses, but not enough make any difference politically. The most famous of these losses, that of Newt Gingrich, had less to do with Republican overreach, than it had to do with Gingrich’s own scandalous personal conduct.

In the 2000 presidential campaign, Bill Clinton’s impeachment haunted Al Gore.  In spite of the fact that Clinton had the highest approval ratings of his presidency in its last year, he was forced to sit out the entire campaign and the shame of his personal conduct and impeachment weighed down Democrats up and down the ticket. In the end, Republican George W. Bush took the White House and the Republicans held on to the House. The Democrats managed to gain parity in the Senate, but this was negated by Vice President Cheney being the tiebreaker.

Impeachment worked out just fine for the Republicans.

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Sensory Imagery

David Jauss’s fiction is rich i51c5Osql36Ln sensory imagery that is at once evocative and enveloping for the reader and the trigger of memories for the characters in his stories. He relies not only on visual images but employs all the senses to create an immersive experience.

In “The Stars at Noon,” a story about an elderly nun in the process of dying we begin with the nun, Anastasia, coughing herself awake in her hospital bed, beginning with her initial disorientation:

She had been sleeping, it seemed, then she heard someone cough. Who is coughing? she thought. Then she realized: it was herself,

Silly old woman, Silly have-dead old woman.

This is followed by imagery vividly rendered using all five senses:

Then she noticed that she was sitting up. Why? She looked around the hospital room. The vaporizer breathing the menthol odor of death. The late afternoon light on the linoleum like the outline of someone killed in a highway accident.

Anastasia shivered. Why did she have to think such thoughts? This was no time to think like that. This was a time for joy.

She lay back into herself, hugged the chill inside her. I wouldn’t be long now.

Now what was that? Nurses talking in the hallway? She raised her head from the pillow and strained to hear what they were saying. But she couldn’t make out the words over the hiss of the vaporizer. So she lay back.

Then it wasn’t nurses talking. It was cicadas buzzing in the trees around her father’s farm.

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Absolutely Fourth Street

My story, “Absolutely Fourth Street” has been published in the March 2019 issue of the Blue Lake Review.

http://bluelakereview.weebly.com/absolutely-fourth-street.html

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