The Oral Tradition

Homer (8th century BC)

Last week, I traveled up to Massachusetts to attend the memorial service for my uncle, John Juergen  Bubbers, who died in May after a long illness.  I was reunited with my cousins most of whom I’ve not seen in many years.  Sadly, it has been funerals, first of our grandparents and now parents that have given us the occasion to gather together again.  It’s probably typical that at these events that bring together extended families, we all observe our cousins and the grandchildren and look for our genetic connections.  This person looks like Oma, that person has Opa’s mouth, and so on.  In fairness, we also acknowledge who resembles a spouse who married into our family.

I took particular notice of one of my cousins.  When we were younger we were very similar looking, both of us blond haired and blue eyed and bearing some resemblance to our grandfather.  Now, not so much.  He was always taller and skinnier than me, and now it seems even more so, especially on the skinnier part.  That’s right, Fred. He got skinnier. What struck me was how much he reminded me of his father.  In his physical manner, speech patterns, even the way he carried himself was eerily evocative of my Uncle John.  It’s been decades since he lived in his father’s household, so how strong could his father’s influence be by this time?  When I remarked on this to my sister, she said, “Well, Freddie, I hate to break this to you, but everybody’s been telling me how much you remind them of Daddy.”

“I try not to,” I said.

“There, the way you said ‘I try not to.’  You sound just like him.”

There’s no escape from Gregor Mendel and his wretched wrinkled peas.

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© 2010 – 2011, Fred Bubbers. All rights reserved.

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The Art of the Novella: The Ghost Writer by Philip Roth

Philip Roth’s The Ghost Writer was first published in two parts in The New Yorker in 1979.  Later that year it was published in book form by Farrar, Straus & Giroux.  It was the first book of his Zuckerman Bound Trilogy, which he completed in 1985.  The Ghost Writer first introduced us to Roth’s alter ego, Nathan Zuckerman, as a twenty-three year old writer at the start of his career.  Nathan has had four short stories published and has been profiled in a magazine as an up-and-coming writer.  He claims to be embarrassed by the profile and the accompanying picture of him with his ex-girlfriend’s cat, but his claim seems to be based on what he thinks is expected of him.

Nathan’s autobiographical short stories have upset his family, particularly his father, who believes they show American-Jewish family life in a bad light and confirm the worst stereotypes of Jews.  It is 1956 and Nathan is writing in the shadow of the Holocaust.  His family is offended by his telling of their internal feuds, portraying them as “conniving Jews,” confirming the worst stereotypes held by Gentiles.  They enlist a respected member of their community, a judge no less, for his opinion.  Nathan receives a letter from the judge asking him, among other things,  “If you had been living in Nazi Germany in the thirties, would you have written such a story?”  Strong stuff.  Nathan, however, is devoted more than anything to truthfulness and art and refuses to take responsibility for the feelings of his family and to take on the weight of history which they are trying to impose upon him.

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© 2010 – 2011, Fred Bubbers. All rights reserved.

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Racing to the Bottom

Christmas Day, 1965.

The night before, when my family opened our presents, I had been given by Santa Claus, a small drum set, a GI Joe, and a little plastic guitar with the faces of John, Paul, George, and Ringo on the fret board.  A good haul for a five year-old, but I wasn’t going to get to play with my new toys until New Year’s Day.  I didn’t mind, though, for although it was Christmas Day, my sisters and I were dressed like it was Easter Sunday because we were headed to Kennedy Airport to fly to Miami Beach.  I can still remember how wondrous it all was to be living in the capital of the world.  We had a World’s Fair, Bernstein was with the Philharmonic (a hero in my family, likely because both the maestro and my father were born in Lawrence, Massachusetts), the United Nations was in Manhattan and our country’s membership was still something to be valued.

We lived in Queens, a borough of what was then “Fun City.”  My father was the sole owner of a drug store and worked long hours, but he made the most of the little time he had to spend with us.  On Sunday afternoons, when we weren’t at the World’s Fair, we might be bicycle riding in Central Park.  On a rare evening when he was able to close early or he was able to get someone to fill in for him in his store, he’d come upstairs and say, “Hey kids, let’s go for a ride,”  and we’d pile into his ‘63 Skylark and head off somewhere.  Where we were going would always be a surprise.  Sometimes my mother would come along, but more often she wouldn’t.  Being a parent, I now understand that these impromptu outings that took the three kids out of the house for a few hours were as much about parental bonding as they were about my father giving our mother a break.

Sometimes we went into Manhattan in the early evening and just walk around Lincoln Center, dazzled by the lights and the architecture, the chicly attired concertgoers at the Metropolitan Opera House and Philharmonic Hall.  In my memory, all the women are wearing Oleg Cassini and look like Jackie Kennedy.  There were television sets in the lobbies, so you see and hear a bit of what was going on in the concert halls and the theaters, but the main attraction was the Zero-Mostel-Gene Wilder-The-Producers fountain.  Not to fear, sometimes we did actually get tickets and see an actual performance of a ballet or a symphony.

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© 2010 – 2011, Fred Bubbers. All rights reserved.

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The Planet Is Fine

The oil continuing to spew into the Gulf, the series of natural and man-made disasters that have struck in recent years, and the ongoing arguments over climate change have all reminded me of this classic George Carlin monologue.

George Carlin first got my attention when I was a teenager in the 1970’s.  By that time, Carlin had transformed himself from a tradition old world “show-biz” style performer into a spokesman for the counter-culture.  Gone was the clean-shaven face, the suit and tie, in was the long hair and beard, the t-shirt and jeans.  He was best known for his “Seven Dirty Words” routine which ended up in a Supreme Court case, but underlying all of his comedy was a philosophical approach and a devotion to language that has never been matched.

In his later years, his hippy-esque (and pot influenced) approach was gradually replaced by an increasingly angry social criticism.  No one was exempt from his sharp wit.  But his sense of irony and his love of language never left him.  He had elevated stand-up comedy to an art form.

In this monologue from his later, post hippy period, Carlin displays his brilliance.  He starts out seeming to rage against environmentalists, but then turns the argument against itself.  He uses language as masterfully as any great poet and is extremely conscious of cadence.

 


Further Reading:


Silent Spring (Paperback)

By (author) Rachel Carson

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Release date January 4, 2011.

© 2010 – 2011, Fred Bubbers. All rights reserved.

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Smashwords Winter/Summer Sale

During the month of July, Smashwords.com is having a site-wide promotion.  For the southern hemisphere, it’s the Winter Sale; for those of us in the north, it’s the Summer Sale.

My titles are available for free using coupon code SW100. (Valid now through July 31, 2010).

 Natural Selection CoverA Couple Cover 2Bonnifer Cover 2After The Fire Cover

© 2010 – 2011, Fred Bubbers. All rights reserved.

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