Good News

(I am pleased to publish this post by guest-blogger Eugene Mirabelli.  Gene is the author of six novels, plus short stories, poems, many journalistic pieces and numerous book reviews.  For many years, Gene was the editor and creative force behind Critical Pages, the online social and cultural commentary site that provided the inspiration for my own modest blogging efforts.  I’m also honored to say that I was Gene’s student thirty years ago at SUNY Albany.  If I remember correctly, Gene was in his late teens and I was a five year-old sophomore.)

Dorothea Lange's Migrant Mother (1936)Let’s enjoy the good news. We’ve avoided a ferocious 1930s-style depression. The worst of the recession is over. Unemployment has stopped rising. Employers can’t increase the workload any further and must now hire more workers if they want to boost output. The stock market has risen dramatically, which means that people with real money to risk are betting the economy is going to revive.

Wait, there’s even more good stuff. Inflation remains low and stable. People are paying off their credit card debts and are beginning to save money again. The bipartisan National Commission on Fiscal Responsibility and Reform has come up with a long list of suggestions on how to reduce the government’s debt. Lawmakers of both parties clearly recognize that the current imbalance between what the government takes in and what it spends is leading us to disaster. So let’s enjoy the good news.

Because from here on the news gets bad. (You sensed this was coming, right?) Employment is going to rise, yes, but very, very slowly. A financial earthquake, such as we had in the final months of the Bush administration, followed by a collapse of the “real” economy, as we had in the early months of the Obama presidency, takes an especially long time to repair. The Chairman of the Federal Reserve, testifying this month before Congress, said he hoped it would take only four or five years from now before employment reaches normal levels.

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© 2011, Eugene Mirabelli. All rights reserved.

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Truths

After a twenty year hiatus from writing, the very first online magazine that accepted a piece of my fiction was The Square Table. Like most literary magazines, The Square Table was a labor of love for someone dedicated to the promotion of contemporary literature who who had a day job.  In this case, the editor and publisher was a law student at NYU Law School.  The story, “Absolutely Fourth Street,” was one that I had written before my long sabbatical from writing that I reclaimed from the dusty old box of manuscripts that my wife hauled out of the basement when I began writing again.  I transcribed the Courier 10 typescript (the Smith-Corona that produced it was left in the basement) into my computer and did revisions – some to clean up the writing, others to update the timeframe.  I look at it now and realize that while it’s not bad, it’s not great either, but it was very evocative of the Village and I guess this is what appealed to the editor of The Square Table.

In the years since then, two more of my stories were published there as well.  These were new stories and I think they were much better than the first one.  “Brothers” was the next one and it turned out to be the first of a cycle of stories that I’ve been working on over the past few years.  The third, “Truths,” was a short fictional vignette about  tryst that I composed from several fragments of stories that by themselves had fizzled out and were never completed.  I never throw anything out.  The writing challenge that I gave myself was to write an explicit bedroom scene to help tie the pieces together.  It’s the kind of writing that I’d always avoided doing in the past, even when a story obviously needed it.  A friend who read an early draft of “A Couple” remarked, “Fred, the best parts of this story happen in the white space between the scenes.”

It was true.  In my stories, three asterisks (“***”) could mean a movement in time, or a movement in space, or it could mean that somebody’s getting laid.  Given the nature of some of the stories I write – exploring intimate psychological and emotional relationships – the absence of these scenes is noticeable, kind of like Lucy and Ricky sleeping in twin beds.

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© 2011, Fred Bubbers. All rights reserved.

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Only Love Collection Released

Only Love Can Break Your HeartPart 1 of a short story cycle. Three stories about two neighbors who meet as young children and grow up together on Long Island during the late 60′s and early 70′s.  The comforting and loving world they live in changes around them as their families fracture, society descends into chaos, and a war rages on.  In the aftermath, they left on a wrecked,  smoking landscape, searching for a new way to live when all of the signs have been burned down.

Reviews:

“These three separate stories about neighbors Johnny and Miriam growing up in the 1960s and 70s make for a moving and elegant novella. I very much enjoyed the directness and strength of the prose which has its own bleak beauty, and the push and pull of relationships and family was very well portrayed indeed. The ending is perfect too. Highly recommended.” ***** Anne Brooke (Amazon)

“This collection has two lovely tales of growing up in Port Jefferson, New York, plus a remarkable story of complicated love — sexual and familial — amid scenes of poverty and emotional desolation. Bubbers has a fine, almost photographic sense of place and time, and a great talent at capturing the texture of life. The final story which gives its name to this collection, “Only Love Can Break Your Heart,” ranks with some of the best short fiction written today.” ***** Eugene Mirabelli (Smashwords)

Available now at Smashwords.com (use coupon code MJ87Z for 100% discount until June 6, 2011).


Also available from the Amazon Kindle Store:



List Price: $1.99 USD
Release date February 6, 2011.

© 2011, Fred Bubbers. All rights reserved.

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Natural Selection released on Amazon

Natural Selection Cover

My short story “Natural Selection” has been released as an eBook at Amazon.com.  This story has previously been available at Smashwords.com and other retailers (see my eBook Store Page), but this is the first time it is available at Amazon.com, the world’s largest online retailer. Kindle books can obviously be read on their Kindle dedicated device, but Amazon has also provided reading software for PC’s,  Macs, iPads, iPhones, and Android smartphones.

As for the story itself, I must credit the magazine that originally published it, Cantaraville.  I’ve written several blog posts about the story already (Into The Abyss, Natural Selection), so I’ll refrain from writing anything more.  As a general rule, the number of words an author writes about a story should never exceed the number of words in the story.

In the near future, I’ll be offering additional titles at Amazon.


Natural Selection (Kindle Edition)

By (author) Fred Bubbers

List Price: $0.99 USD
Release date January 25, 2011.

© 2011, Fred Bubbers. All rights reserved.

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Our Past, Look Away, Look Away

We began this week with the news that a new n-word-scrubbed edition of Huckleberry Finn is being published.  The reaction in most places where literary people congregate was mostly negative.  Huckleberry Finn has been considered Mark Twain, photographed by Matthew Bradycontroversial ever since it was first published. It is in the list of books most commonly banned by school boards.  In the early years, it was controversial because of its respectful portrayal of a black man and his friendship with a young white boy.  Ironically, the reason most cited for banning the book these days is the use of the word nigger.  It was a harsh word in Twain’s time and he used it specifically for both its authenticity and to make a powerful ironic statement.  Since then, however, the word has become one of the most offensive words in the English language and evokes a visceral reaction just reading it (and when typing it as I have just discovered).  Given modern sensitivities, it’s understandable that parents and educators would want to protect schoolchildren, particularly African-American children, from the pain and discomfort of confronting that word in class.

At the same time, Huckleberry Finn is one of the pillars of American literature, and it’s a shame that teachers should be prevented from teaching it, or feel uncomfortable teaching it when they are allowed, so the desire to have a cleansed version of the classic is, while misguided, understandable.  The hypocrisy and intolerance that Twain masterfully laid bare in Huckleberry Finn is the reason why it is such a powerful book, so while the word nigger has become a much more universally offensive word than when Twain used it, its casual usage in the text only serves to amplify the irony that was already there.  It’s a violent word that carries with it five hundred years of cruelty.  Twain was a committed anti-racist his entire life and if he were here with us today he might take note of the current controversy and say, “That’s exactly what I was trying to say.”

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© 2011, Fred Bubbers. All rights reserved.

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